Philly theater offers bloody Macbeth as psychological horror

If an actor is fated to lose his head on stage, neck flexibility helps.

“We need to make sure there’s good dexterity in the folks whose head is being removed,” said fight director Sean Michael Bradley, who is choreographing on-stage decapitations for Quintessence Theatre Company’s production of “Macbeth” March 14 through April 21.

“If they can put their chin to their chest in as deep as possible, it’s making sure it’s the proper angle,” he said. “Then the majority of the audience is not going to see behind the veil of the magic trick.”

Bradley’s head-chopping expertise will come in handy because director Alex Burns has promised a particularly bloody version of Shakespeare’s indictment of power and ambition.

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